Station Island by Seamus Heaney

The Scribes

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility. Heaney’s voice is dominant in a poem set in a first millennium monastery where manuscripts are being copied and preserved thanks to the monumental efforts of monk-scribes. Think monks of the Dark Ages, think also intellectuals in 1960s’ Belfast. Allegory is never far away – the title […]

The Master

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility. Heaney describes a ‘master-class’. The speaker pays tribute to an anonymous ‘master’ whose opinions are respected and valued and who is a giant against whom to measure himself. Heaney indicated he was reworking the meal at which he first met Czeslaw Milosz in California (note below). Heaney […]

The Hermit

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility. In contrast to the Ronan missionary figure of The Cleric (see previous poem) Heaney focuses attention on an equally emblematic figure of early Christian history. Hermits generally chose seclusion and ascetic self-sacrifice to the Ronan-style big-impact approach.. The anonymous hermit guards the plot of land he has […]

The Cleric

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility. Initially Sweeney’s is the dominant voice. His story and its aftermath are narrated in Sweeney Astray. Both poems focus on responses to the actions of a missionary priest, anonymous in this piece but identified as Ronan in Sweeney Astray. The advent of Christianity is portrayed in this […]

Sweeney’s Returns

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility . Heaney explores the emotional reactions of his exiled king whose voice is dominant in the poem. In Sweeney Astray exile has torn Sweeney away from his wife Eorann (who in the legend takes another partner).The frustration of his separation and the enduring nature of physical attraction […]

Holly

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility. A tale of two hollies, a ‘then’ and a ‘now’ that share a pagan symbol of Christmas-time. The outdoor landscape of an exiled Sweeney contrasts with the indoor comfort of Heaney’s living-room fireside. On the first occasion neither the weather nor the hollybush were of required standard: […]

An Artist

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility. Heaney selects Paul Cézanne as his subject transporting us to the landscape in which the artist dwelt and worked. Just such a site exists in France’s Provence area: the Sainte-Victoire mountain, a bare, glistening monolith, dominates the countryside in which Cézanne executed many of his canvases. The […]

The Old Icons

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility. Representations of Irishmen of earlier times, each a political vignette, bringing with it the sad realisation that in Ireland ‘Plus ça change plus c’est la même chose’. The pictures have iconic status. Heaney’s voice is dominant. The speaker asks himself Why he has he clung onto three […]

In Illo Tempore

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility. From his location on the Dublin sea-front a man shakes his head with disbelief at the success of a religious practices that shaped him as a youngster once upon a time (in illo tempore) and cloned him with countless others. His imagination has settled on one of […]

On the Road

The Sweeney Redevivus poems are fascinating in terms of voicing. In his notes Heaney indicates that they are ‘voiced for Sweeney’ but this does not and cannot exclude the poet’s participation. Each poem resembles a piece of music with a background accompaniment and two voices that pick up the melody in turn or together; the mood of each piece varies as does its ensemble effect on the listener’s ear and the reader’s sensibility. Heaney will confirm he is on the path to renewal. He is adept at titles. The speaker is on a literal journey behind the wheel of his car. At the same time, in this his ‘book of changes’ (line 70), the poet is on his way, ‘on […]

Afterthoughts

Finding the blend. The most successful poets share much in common with the best chefs; the latters’ knowledge of the finest products supplemented by a talent that adds the individual flavours of spices, herbs and myriad ingredients in just the right amounts at just the right moment produces the unique, mouth-watering experiences capable of delighting and inspiring those who savour the result. The ‘knowledge’ is gleaned from experience and requires hard work; the ‘talent’ is a gift granted only to the very few. In these respects Heaney is a craftsman pursuing a similar goal. In Station Island he is the ‘master-chef’. A number of poems in the collection offer insights into the poetic process as Heaney experiences it. Whatever the initial […]